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approximation
自分自身が被写体を捉え共存する時間に、出来るだけ近い時間をかけて画像を定着することによって、その空間に潜む空気感やその被写体がもつエネルギーのようなものまで捉える事が出来ると考えるからだ。それはエーテルの海を泳ぐ魚をエーテルごとすくいあげるような作業である。
The reason for that is that I think that it is possible to capture the feeling of the air which lurks in space, as well as what appears like the energy which the subject has by anchoring the image in time during which I coexist with the subject by having captured it. I do so by taking the time that is as close as possible to that duration. It is like the work of scooping the fish which swims in the sea of ether along with the ether each time.
これらの作品に使用した画像は長時間の露光で撮影されたものであったり、複数の画像の集積であったりします。長時間露光や画像の集積を行う理由は、被写体がもつ情報を出来るだけ多く捉え、その全てを定着したいと考えたからです。数学的に言う「総和」を出すようなアプローチでもあり、その結果として被写体の不確実部分と本質的部分を明らかにしその被写体の持つ近似値のようなものを捉えようと考えています。
The image which I used for these works was photographed by long-time exposure or is the accumulation of plural images.
The reason why I accumulate exposure and the image for a long time is from the next reason. It catches the information that a subject has as much as possible, and this is because it wanted to fix all.
It is approach giving "a grand total" to say mathematically.
As a result, I clarify uncertainty part and essential part of the subject. And I intend to catch something like approximate value to have of the subject.
T.A.P.P
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